On this weekend’s Assignment Horror, we ended the show by teasing the next show’s topic as The Night Stalker. This is no longer going to be the case. my favorite monster hunter has been bumped a show or two down the road. However, I’m actually really cool with this. 

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The movie this time around is THEM! selected by John which is one of his favorites from the 1950’s. The gang takes a look at the movie while discussing how less is more and why some current movies get things wrong. Richard is dragged out of the dudgeon and if John hadn’t have told him wouldn’t have known this movie was about giant ants.

Don’t Be a Donald

Posted: January 19, 2018 in Life, News, Politics

By 1962, Roger Corman was well on his way to creating the film resume that unfortunately earned him such nicknames as “The King of Schlock.” He’d found low budget success with such films as The Wasp Woman, A Bucket of Blood, Little Shop of Horrors, It Conquered the World, Sorority Girl, and Teenage Doll among others.

How much success had he found? It depends on what you consider successful. After being burned by the nature of the studio system, Corman struck out on his own to make the movies he wanted to make. None of them were the comparative financial successes that Star Wars, Jaws, or Avatar would be for others in later years. You certainly won’t find them regularly listed in the top ten or top twenty box office winners for the years in which his films were released. But, one thing Roger Corman could for longest time say about his films is that they earned a profit at the box office. For decades, Roger Corman could make a claim that few others in the business could; even those who had made far less than the 400+ films Roger Corman has directed and/or produced at this point. He could for a very long time say that he had made hundreds of films and never lost a dime on any of them.

Well, except for one film in 1962. It’s something of a shame that The Intruder was for decades the only film Roger Corman lost money on, because, in some ways, it was one of the best films he’d made at that point in his career.

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Image  —  Posted: January 16, 2018 in Life, News, The Blog

After a year of being locked in a station closet, I was finally released to sit in on the Earth Station One Podcast’s look back at 2017. Damned good thing the station closets have such great WiFi or I wouldn’t have had much to contribute.

2014, 2015, and especially 2016 and 2017 were filled with superheroes on the big screen and the small screen. This has been the case for farther back than 2014, but the last four to five years have been seemingly extremely superhero heavy. Every major movie studio was launching a film with an eye towards starting a franchise, and channels like CW were transforming into Superhero Central. Even streaming services were getting in on the act with exclusive superhero shows in both live action and animated forms. In fandom, the age-old war between the Marvel Zombies and the loyal DC Comics fans had renewed itself and moved to a larger battlefield as Hollywood itself was at times seemingly trying to transform itself into Marvel and DC.

The tipping point was coming fast. The big failure moment was just around the corner. The collapse of the superhero film genre was about to happen with the very next bloated, over the top, four-color abomination the studios were readying to unleash on the superhero fatigued audiences of America.

Well, at least that’s how the world worked according to some of the various social critics, movie critics, and jaded fanboys of the world. They certainly made sure you knew this is how the world was right before the launch of every major superhero film- especially the Marvel ones -over the last few years. They were especially loud about their predictions before films with characters that “no one wanted to see or cared about” like Ant-Man and Guardians of the Galaxy.

These people were and are, of course, full of and spewing extraordinarily large quantities of bovine manure.

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