So, over on Netflix they’ve had some success with a Netflix original program based on the 1980s cult wrestling hit GLOW. But, rather than actually have a women’s wrestling show on Netflix, they went the path of a comedy/drama telling a fictionalized version of the creation of the show. The original GLOW was the creative child of David McLane. He had an idea for giving women wrestlers a more story-based spotlight and set about building GLOW into a ratings winner for a time. That was the late 1980s, and it’s been a long, strange, spandex (and roller hockey) filled trip for McLane since then. 

Between the Netflix original show, a recent documentary, and the general nostalgia buzz people have been recently having for all things 80s and 90s, odds are good you’ve probably at least heard of GLOW. GLOW was something of an oddity back when it hit television screens across America. Women’s wrestling was considered more of a novelty act in much of the wrestling world of the time, and even pop culture moments like Wendi Richter joining up with Cyndi Lauper didn’t seem to give any long-term momentum to women’s wresting in general. Indeed, McLane was even told by his one-time boss Dick the Bruiser that such a notion wouldn’t get over with most wrestling crowds back when McLane first got the idea while working in the World Wrestling Association. McLane decided it would get over with the crowds, and he set off to Hollywood to prove it. However, what he ultimately created wasn’t exactly a wrestling show as most folks new them.

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In between grumblings and observations on fandom and genre, I do a lot of promoting of other people’s works and passion projects. One thing I’ve really not done is promote anything I’ve been working on other than in the little bio bit at the bottom of the columns, and, let’s be honest, most people that read articles on websites tend to stop reading when they hit the first few words of those things.

However, if I learned nothing else during my years of being a professional wrestling fan and seeing Mick Foley on the television, I’ve learned that cheap pops work. Unfortunately, cheap pops of the Foley variety don’t really work all that well on a website like this. However, I also learned from the Foley years of WWE television that shameless self-promotion isn’t always a bad thing.  As such, this week I’m doing some shameless self-promotion. Think of it as my birthday gift to myself. Granted, my birthday is still five months away. However, I keep being told that procrastination is bad, so I’m getting it out of the way now.

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ConCarolinas is multi-genre, multi-media convention that has at this point been plugging away in North Carolina for the better part of the last two decades. I’ve been an on and off attendee since 2014, so I’ve seen some of the growth of the convention in recent years as well as seen a couple of nice locations for the event. Although, I have to admit, of the four ConCarolinas I’ve been to, this one was a little different in more ways than one. One reason was something everyone may have noticed. The other thing was a tad more personal.

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The Assignment: Horror Podcast

LifeForceThis week the crew are talking about the visual and narrative insanity that is 1985’s Lifeforce. This film was the Cannon Group’s attempt to jump into the big budget (looking at least) science fiction filmmaking. The attempt was a mixed bag, and people either love it or hate it. Also, bonus new viewer material- It turned out that John had never actually seen the entire film from start to finish either.

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That may seem like an odd thing to say right now. A revival of the zombie film? For most people following horror, the zombie film hasn’t gone away. Cable television and the various streaming services are loaded with them; some old, some brand new. It wasn’t even that long ago that Brad Pitt was running around with zombies on the big screen screwing up a perfectly good book’s premise and talk of a follow-up film has been getting thrown around for a while now. As such, it may seem odd to some to say that we’re seeing a revival of the zombie movie. But the fact is, we are.   

The thing is, I’m not talking about seeing more zombie movies being made or seeing larger zombie movies being made. I’m talking about a revival in the form of seeing better and better zombie films starting to be made again.



The Assignment: Horror Podcast

ThingThis episode the crew tackles The Things from Another World. This episode the crew also gets a bit punchy. 

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The Underground Space Station

Stace and Sheil are off at Aunt Marge’s today, packing things up. Having the living room’s big TV to myself has prompted throwing TOS Blu’s on. I’ve gotten up to the all-too-often talked about City on the Edge of Forever.

If you wanna hear all about Ellison’s problems with the rewrites or any of that behind the scenes stuff, or even one of the umpteen rehashes of the story, this ain’t the place. It should be noted that this is FAR from my favorite TOS episode. Not that it’s BAD. mind you. Far be it from me to say that. No, there are just other episodes I like BETTER.

Still, this is one of the very few TOS adventures where the stakes are so personal for the main characters. First, Kirk and Spock are trying to rescue McCoy–their friend, and tied for First, trying to restore their reality. Spock’s enjoyment…

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